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Out-manned and out-gunned, Banning coordinates with Speaker, and acting President, Allan Trumbull (Morgan Freeman) along with Secret Service head (Angela Bassett) – quietly moving through the war-torn White House on a mission to free President Benjamin Asher (Aaron Eckhart) as well as discover the terrorist group’s true motivations.
In Olympus Has Fallen, Fuqua (King Arthur, Brooklyn’s Finest) attempts to marry his taste for gritty character drama with a one-man-army action storyline. In general, the pairing is successful – balancing enjoyable interactions and downright brutal action for an unrelenting storyline that moves quickly from setup to payoff. Most of the characters are one-note political cliches (for example: a tough-as-nails general played by Robert Forster), making room for the core terrorist narrative to take center stage – as one obstacle after another is placed in front of Banning. As a result, Olympus Has Fallen could underwhelm moviegoers expecting one of Fuqua’s riveting character dramas (Training Day) but should provide action fans (and flag-waving patriots) with plenty of wit, explosions, and machismo.
Morgan Freeman and Aaron Eckhart in ‘Olympus Has Fallen’
Thanks to a no-nonsense performance from Gerard Butler, Banning is the main draw for the film. After an explosive assault on Washington D.C. and the White House, the scale of the film tightens significantly – leaving behind extensive CGI pandemonium in favor of brutal fisticuffs in dark corners. There’s not much to the Banning character, his motivations are plain (he’s wracked with guilt from a past failure) but the attitude that he presents when talking to his contacts at the Pentagon or while tormenting terrorist operatives provides plenty of memorable encounters (and even laughs).
Olympus Has Fallen follows the one-man-army film pedigree to the letter (a resourceful hero facing-off against a well-armed villain) and while Banning doesn’t reach the time-tested marks of certain terrorist fighting do-gooders, he serves up plenty of explosive gunplay and bone-crunching fights to present a worthwhile action experience. Instead of filling one role in a multi-faceted rescue mission, Banning’s actions carry legitimate weight - every encounter is tense and the unfolding events make him believable as a solo killing force.
The White House under attack in ‘Olympus Has Fallen’
Given the stakes of the final story, along with a surprising amount of violence, Olympus Has Fallen would appear to take its subject matter very seriously but, at the same time, thin caricatures and a one-liner spouting protagonist put the film in a strange middle ground that may be off-putting to filmgoers who aren’t able to switch-off their brains.
Beyond suspension of disbelief, there’s one major plot point that is developed and teased, only to be swapped out at the last minute as an underwhelming and significantly less interesting red-herring – robbing one of the film’s most important characters of an opportunity to make good on promised drama. While Olympus Has Fallen does include some great character moments, the film is often at odds with Fuqua’s ambitions – resulting in an exciting action movie that mismanages several central story ideas and underserves central players.
Finley Jacobsen and Gerard Butler in ‘Olympus Has Fallen’
Still, it’s clear that the director had ambitious intentions for Olympus Has Fallen: aiming for a clever character drama with biting political relevance and riveting action. While the film doesn’t quite deliver on every idea that it introduces, it excels in Fuqua’s principle goal – a captivating and uncompromising assault on the senses (where smart character moments are just an added bonus).
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